Searching, Always Searching
Paintings and Drawings by Joe McGee, 1980-2024
along with
Sculptures by Sam Richards
Soon, I will be 70 years old (a day after this opening reception in fact), and I have been making my art daily now for well over 4 decades. I take this opportunity at Kore Gallery to display a selection of my drawings and paintings, going all the way back to 1980. For it was that year, 8 years after graduation from high school (my lost years), that I decided to enroll at the Hite Art Institute, University of Louisville, to learn “how to be an artist”. It was a life changing experience, and indeed I did become an artist after receiving my BFA degree in Sculpture in 1986.
And what have I been trying to prove to myself in my art all these years? The answer is simple. Like most artists I suppose, I am searching for that one perfect (in my opinion) artwork! Searching, always searching! Have I found it? I’ve gotten close a few times! :) For more on my art: www.joemcgeeart.com
Note on Sam Richards: Though I majored in sculpture at U of L, I am not exhibiting any of my 3D work here in deference to the small selection of sculpture by artist Sam Richards that I am sharing this exhibit space with at Kore Gallery. Sam, my sculpture teacher (as well as so many other talented sculpture majors he taught at U of L), died so tragically early, at just age 48 in 1994. Professor Richards was an excellent instructor (I had 3 main studio teachers at U of L, I must also mention Henry Chodkowski, Painting, and Jim Grubola, Drawing, all 3 were outstanding teachers/artists and were hugely influential to my own development). Sam loved teaching, but in my mind he was a practicing sculptor first and foremost. He just had such a strong internal drive in the making of his art, and then was equally driven to exhibit far and wide in order for his sculpture to be seen by as many people as possible. As a result of his efforts, Sam would become widely collected. I think he was getting close to breaking big in the artworld (Sam did as well, he had great confidence in what he was doing). Here, let’s revisit Sam’s amazing sculpture and life. For more: /www.samrichardsart.com
Above: Mock-up of trilogy, Diego and the 2 Fridas, I will show my series in the Fall of 2022 at Quappi Projects , Louisville, KY.
Lynnell Edwards
Author's WebsiteLynnell Major Edwards is the author of three full-length collections of poetry, The Farmer's Daughter (2003), The Highwayman's Wife (2007), and Covet (2011) all from Red Hen Press. Most recently her chapbook Kings of the Rock and Roll Hot Shop was released by Accents Publishing (2014). Her work has appeared on Verse Daily and in numerous literary journals, including Poems & Plays, Southern Poetry Review, Smartish Pace, The Los Angeles Review, Kestrel, and River Styx. She is a regular reviewer for Pleiades, Rain Taxi, and American Book Review and her short fiction has been published in literary journals such as New Madrid and the Connecticut Review. She lives in Louisville, Kentucky, where she is Associate Professor of English at Spalding University. She received her doctorate in English at the University of Louisville, her undergraduate degree at Centre College in Kentucky, and is the recipient of a 2007 Al Smith Fellowship from the Kentucky Arts Council. She is also associate director of Louisville Literary Arts. a non-profit literary arts organization which sponsors the monthly InKY reading series in Louisville, Ky and The Writer's Block Festival.
4th above: Merton at His Ordination, April, 2018, 30"x24", acrylic on canvas
5th image above:: Merton beside his hermitage at Gethsemani Abbey, 30"x60", now part of the collection of The Merton Center at Bellarmine University, Louisville, KY.
A Very Cool Collaboration with Fiber Artist Penny Sisto for the Fall 2018 Merton Fest!
Penny Sisto has made a beautiful, mirror image textile work of my painting below. The 2 works will make up the wings of a planned altar piece that will honor Thomas Merton. Penny, such a gifted artist! Wow!
Below: January 17, 2018, a new work, 48"x30", acrylic on canvas. Inspired by Thomas Merton, the Mother Figure hears of his passing on Dec. 10,1968
We are sad to loose our dad, artist Hagan McGee passed away Dec. 19, 2017, just past the age of 90. Such a good father, he is in heaven now!
Below: Dad at Galerie Hertz, 2010 or so, in front of some of his Folk sculpture he was showing there.
Next: Woman with Chickens, 2000s, 11"x14"
Below: The Transformation of Thomas Merton, mixed media on wood, 1994-2017, 4'x30"
Below: At Bernheim Forest, KY, 2017, photo by my daughter Tasha, a beautiful day there, here I stand in front of the Sky Bridge!
Joe McGee (me), b. 1954. I received my BFA in Sculpture from the University of Louisville in 1986. I have now been making art for well over 35 years. Please take a look at some of my work on this site. Enjoy!
Below: My working wall in my studio, pic a few years old now, but I look the same now as a creaky 62 year old artist. No more sculpture, but I can still paint!
Next: And as a young art student at the Hite Art Institute, University of Louisville in perhaps 1983 or so, age 29. I did not go on to college until I was age 24, having worked in construction for 7 years. I received my BFA in Sculpture in 1986. Always ready for a soccer game, here I sit on one of my sculptural creations. My daughter Tasha drew on the photo as a infant! :) Oh, I thought I was so grand in my youth!
3 Generations of McGee Art
My site also includes a couple pages on the work of my father, folk painter Hagan McGee, still painting daily in heaven! Bless you Dad!
And, I have a page on the Fiber Art of my daughter, Tasha McGee, as well!
The 3 of us had an exhibit at Spalding University in 2011, Three Generations of McGee Art!
Below: Tasha, my father Hagan and me down at dad's birthplace, Manton, KY, summer of 2016. His final trip down to his beloved birthplace. He passed Dec., 2017, age 90.
My just finished Exhibit, For the Children of Flowers, ran June thru July, 2017
My Swanson Contemporary exhibit, For the Children of Flowers, ended July 30, 2017. Thanks, so much fun!
Image below: 1960 photo by our mom, Grace Jane Breitenstein McGee, her first 3 children read in our magical back yard in the now gone Prestonia area of Louisville, flowers, crop garden, fruit trees and berries everywhere! Left to right, the artist, brothers Steve and Bill. I am sure we were wrestling soon after this tranquil photo was taken by mom! :)
For the Children of Flowers
Paintings by Joe McGee
Why
flowers? Well, I have always been drawn to them. I grew up here in Louisville
with my brothers and sisters surrounded by flowers. My mother Grace (and her
mother and her mother before) had flower beds everywhere it seemed. The
different colors, shapes and textures fascinated me as a child. And more
importantly, we learned early on that flowers were a source of food for insects
and birds, and that they in turn pollinated the vegetables and fruit trees my
father (along with my maternal grandfather) raised in our large back yard
garden. Flowers, beautiful and necessary, a gift for us all from the heavens above
as we share this planet together. So here, I attempt to capture, from my mind
(these are all imagined works), the beauty and mystery of flowers!
As a lifelong Louisvillian, it
is a pleasure to show my take on the time-honored genre of Floral Paintings at
Swanson Contemporary. I must admit, when I first began this series at the end of
2016, I had Chuck’s place (with its cool large storefront windows facing Market
Street) in mind. And symbolically to me, this section of downtown Louisville,
which once thrived as an important agricultural business center/gathering place
for the farmers of the region, connects to my own family history. The old
Haymarket complex, now long gone, was located only blocks away. There for
decades, farmers such as my grandfather, Herman Breitenstein, sold their crops
in the huge market complex. And they bought their seeds each year at Bunton
Seed, another of the many agricultural supply businesses also formerly located nearby.
Most are now long gone, relegated to the history books of Louisville. So, my
flowers are a perfect fit at Swanson Gallery, right at home on E. Market
Street, part the former bustling center of agricultural life here in Louisville!
Finally, I created this series to honor my parents (Grace Jane and James Hagan McGee) for showing their children the amazing beauty of the natural world we all shared together in our large back yard. There, the many flower beds, fruit trees and the huge vegetable garden taught us that the things we grew were not only beautiful, but connected and vital for our lives. I thank my good parents for the flowers they have given their children!
Next above: "Flowers for Grace", 48"x36", 2017, SOLD
Below: Blue Vase, Ochre Walls, one of my flower works currently at Edenside Gallery, Louisville, 30"x30"
Bottom: Flowers in Clay Pot, acrylic on canvas, 30"x24", 2017